Date of Award
12-2024
Document Type
Thesis
Degree Name
Master of Arts in Art History and Visual Culture
Department
Art
First Advisor
Trenton Olsen
Second Advisor
Chajuana Trawick Ferguson
Third Advisor
Jonathan Walz
Abstract
Reframing the Canon is an exhibition and thesis project that centers on Black Contemporary artists and their pivotal contributions to the Western art canon. Curated by Art BaziL, the exhibit challenges traditional narratives and biases, creating a space where Black art is celebrated as integral rather than supplemental. Through a collection of multi-medium works—from abstract paintings to digital art and handcrafted jewelry—the exhibit invites viewers to experience Black creativity beyond themes of struggle, highlighting resilience, innovation, and beauty. This project responds to the historical exclusion of Black voices within mainstream art institutions, advocating for a more inclusive and representative canon. By presenting diverse perspectives, Reframing the Canon expands viewers' understanding of Black art and calls for reexamining what defines canonical work in the art world. The exhibition seeks to foster an ongoing dialogue around identity, representation, and cultural heritage, challenging the boundaries of the Western canon and envisioning a future where Black artists and their stories are woven into the fabric of art history.
Recommended Citation
Bazil, Elaysha A., "Reframing the Canon: Black Contemporary Artist Shaping the Western Narrative" (2024). Theses. 1231.
https://digitalcommons.lindenwood.edu/theses/1231