Date of Award
12-2025
Document Type
Thesis
Degree Name
Master of Arts in Art History of Visual Culture
Department
Art
First Advisor
Stefanie Snider
Second Advisor
Jonathan Frederick Walz
Third Advisor
James Hutson
Abstract
This project is an upper-level art history seminar addressing identity and representation – specifically related to race, ethnicity, gender, and sexuality – in contemporary art. Primarily a discussion-based course, the course is focused on inclusivity and is highly structured, with weekly low-stakes assignments that provide students with ample opportunities to practice engaging with academic texts. Designed for students with varying levels of academic skills, it is built around current non-academic articles that students select via an online survey. Students then “unpack” the “big ideas” in each of the four chosen non-academic articles via a cluster of academic readings and videos with varying levels of difficulty (from a comedian’s TedX video on gender and sexuality, to a 4-page excerpt of Michel Foucault’s “Domain” in The History of Sexuality).
The final project deliverable consists of a syllabus, a list of sources for each of the non-academic articles, examples of guided reading tasks and questions, and notes (in this report) on how the content and assignments are crafted to promote student agency and academic inclusivity.
Recommended Citation
Franz, Laura E., "Identity and Representation in Contemporary Art: An Inclusive 400/500-Level Art History Seminar Course" (2025). Theses. 1666.
https://digitalcommons.lindenwood.edu/theses/1666
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