Getting Dressed: Gender, Identity, and Expression

Presenter(s) and Faculty Sponsor Information

Laura Franz, Lindenwood UniversityFollow

Student Type

Graduate

College Affiliation

College of Arts and Humanities

Department

Art History and Visual Culture

Submission Type

Oral Presentation

Abstract

In October 2021, a newyorktimes.com article called The End of Gender: Has Fashion Bid the Binary Goodbye? discussed gender agnosticism — “girlie” clothes in bright colors, soft fabrics, and lots of decoration worn by both women and men.Meanwhile, celebrities such as Jonathan Majors and Harry Styles are criticized for wearing clothes other people don’t think are appropriate. Majors has been “emasculated” and Styles is accused of queerbaiting. My research examines the distance between these two views of gendered fashion — “everyone should get to wear everything” vs. “disconnect from yourself to please others” — through multiple lenses: semiotics, Victorian era rules and expectations around gender, the complexities of identity. I also show how mass media encourages people to consume material culture by connecting getting dressed to self-expression, while social norms make it difficult for self-expression to occur — because ambiguous or unconventional identities create discomfort.

Comments

Due to my location (Massachusetts) and my work schedule (I teach almost all day on Thursdays), I would need a livestream session for my oral presentation after 3:30pm if you can accommodate that. If you can't, I understand. Thank you!

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Getting Dressed: Gender, Identity, and Expression

In October 2021, a newyorktimes.com article called The End of Gender: Has Fashion Bid the Binary Goodbye? discussed gender agnosticism — “girlie” clothes in bright colors, soft fabrics, and lots of decoration worn by both women and men.Meanwhile, celebrities such as Jonathan Majors and Harry Styles are criticized for wearing clothes other people don’t think are appropriate. Majors has been “emasculated” and Styles is accused of queerbaiting. My research examines the distance between these two views of gendered fashion — “everyone should get to wear everything” vs. “disconnect from yourself to please others” — through multiple lenses: semiotics, Victorian era rules and expectations around gender, the complexities of identity. I also show how mass media encourages people to consume material culture by connecting getting dressed to self-expression, while social norms make it difficult for self-expression to occur — because ambiguous or unconventional identities create discomfort.