Was America the OG of the Gothic?

Presenter(s) and Faculty Sponsor Information

Amanda Sciandra, Lindenwood UniversityFollow

Student Type

Undergraduate

College Affiliation

College of Arts and Humanities

Department

English

Submission Type

Oral Presentation

Abstract

It is widely accepted among literary scholars that the origin of the Gothic is European, specifically, that the Gothic as a literary genre was first conceived by the British writer Horace Walpole with the publication of his 1764 magnum opus, The Castle of Otranto. However, when considering recent research into the origins of the Gothic, specifically the origins of American Gothic literature, a rift in scholarly thought emerges that places the Gothic as a defined genre and literary mode against its derivative history and its more obscure qualities or qualitas occulta. This oral presentation will examine this rift by comparing Horace Walpole's unpublished 1737 poem, Seeds of Poetry and Rhyme, with Puritan American Anne Bradstreet's 1666 poem, The Author to Her Book, ultimately asking the question: was America the OG of the Gothic?

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Was America the OG of the Gothic?

It is widely accepted among literary scholars that the origin of the Gothic is European, specifically, that the Gothic as a literary genre was first conceived by the British writer Horace Walpole with the publication of his 1764 magnum opus, The Castle of Otranto. However, when considering recent research into the origins of the Gothic, specifically the origins of American Gothic literature, a rift in scholarly thought emerges that places the Gothic as a defined genre and literary mode against its derivative history and its more obscure qualities or qualitas occulta. This oral presentation will examine this rift by comparing Horace Walpole's unpublished 1737 poem, Seeds of Poetry and Rhyme, with Puritan American Anne Bradstreet's 1666 poem, The Author to Her Book, ultimately asking the question: was America the OG of the Gothic?