"The Virtual Wunderkammer: Integrating Neuroinclusive Design and AI-Aug" by Piper Hutson and James Hutson
 

Document Type

Article

Publication Title

ISRG Journal of Arts, Humanities and Social Sciences

Abstract

The Virtual Wunderkammer represents an innovative paradigm in museum exhibition design, integrating neuroinclusive principles with artificial intelligence (AI)-augmented technologies to foster immersive and cognitively accessible visitor experiences. Historically, the Wunderkammer, or "cabinet of curiosities," served as a precursor to modern museums, offering eclectic collections that stimulated intellectual curiosity and sensory engagement. The contemporary reimagining of this concept utilizes emerging technologies such as augmented reality (AR), virtual reality (VR), haptic feedback, and olfactory-enhanced digital environments to create personalized, adaptive museum experiences. This study explores the critical intersection of neuroaesthetics, cognitive science, and AI-driven interactivity in digital exhibitions, emphasizing their potential to enhance nervous system regulation, emotional awareness, and interoception among diverse audiences, including neurodivergent visitors. The research addresses a pressing need for more inclusive, multisensory museum spaces that accommodate a broad range of cognitive and sensory profiles. Through case studies and technological applications, this chapter illustrates best practices for implementing the Virtual Wunderkammer, highlighting its capacity to transform museums into dynamic, accessible environments that transcend traditional limitations. By situating the discussion within the broader discourse on digital humanities and AI-mediated cultural heritage, this study provides a roadmap for the future of museum engagement. The findings underscore the importance of interdisciplinary collaboration in designing technologically sophisticated, human-centered museum experiences that enhance accessibility and engagement while fostering deeper connections between audiences and cultural artifacts.

DOI

10.5281/zenodo.15038356

Publication Date

3-2025

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