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Submissions from 2021

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The Changing Role of the French Court as Seen in Medieval Millefleurs Tapestry, Kelsey Cook

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Byzantine and Islamic Influences on the Art and Architecture of the Basilica di San Marco in Venice, Suzie Hanny

Submissions from 2016

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Rococo, Reason, and Revolution : The French Intellectual and Moral Response to Aristocratic Indulgence as Demonstrated Through Art, Kimberly Elfrink

Submissions from 2015

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Michelangelo's Last Judgement: A Crisis of Conscience, Ana Schnellmann

Submissions from 2014

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Eclipse: Theories in Contemporary Art's World, Bethany Burton

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A Tale of Two Queens: Elisabeth Vigee Le Brun and Marie Antoinette, Bailey Compton

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Doorways to Divinity and Function in the Form: Icons and Ecclesiastical Enforcement, Ana Schnellmann

Submissions from 2013

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Unraveling the Theory of Platonic Love in Botticelli, Sara Buckley

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Manet's Olympia: Changing the Way People View the Nude, Esther Mizel

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Patronage and It's Impact on the Roman Art World, Colbei Sakuma

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Polykleitos: A Canon of Beauty and Perfection, Amy Schuman

Submissions from 2012

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Persephone and Hades: A Study of Representation in Art and Culture, Sara Buckley

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The development from High Gothic to the Rayonnant style through Reims Cathedral and the Sainte-Chapelle, Diane Prigent

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Ceci N'est Pas un David, Andrea Roberts

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The Evolution of Anatomical Art: The Artists and Methods that Illustrated the Human Body, Amanda Spaunhorst

Submissions from 2010

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Olympia, Reinventing the Nude, Holly McGuire

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Louis XIV: Art as Persuasion Supporting the Dominance of France in 17th Century Europe, Matthew Noblett