Submissions from 2021
The Changing Role of the French Court as Seen in Medieval Millefleurs Tapestry, Kelsey Cook
Byzantine and Islamic Influences on the Art and Architecture of the Basilica di San Marco in Venice, Suzie Hanny
Submissions from 2016
Rococo, Reason, and Revolution : The French Intellectual and Moral Response to Aristocratic Indulgence as Demonstrated Through Art, Kimberly Elfrink
Submissions from 2015
Michelangelo's Last Judgement: A Crisis of Conscience, Ana Schnellmann
Submissions from 2014
Eclipse: Theories in Contemporary Art's World, Bethany Burton
A Tale of Two Queens: Elisabeth Vigee Le Brun and Marie Antoinette, Bailey Compton
Doorways to Divinity and Function in the Form: Icons and Ecclesiastical Enforcement, Ana Schnellmann
Submissions from 2013
Unraveling the Theory of Platonic Love in Botticelli, Sara Buckley
Manet's Olympia: Changing the Way People View the Nude, Esther Mizel
Patronage and It's Impact on the Roman Art World, Colbei Sakuma
Polykleitos: A Canon of Beauty and Perfection, Amy Schuman
Submissions from 2012
Persephone and Hades: A Study of Representation in Art and Culture, Sara Buckley
The development from High Gothic to the Rayonnant style through Reims Cathedral and the Sainte-Chapelle, Diane Prigent
Ceci N'est Pas un David, Andrea Roberts
The Evolution of Anatomical Art: The Artists and Methods that Illustrated the Human Body, Amanda Spaunhorst
Submissions from 2010
Olympia, Reinventing the Nude, Holly McGuire
Louis XIV: Art as Persuasion Supporting the Dominance of France in 17th Century Europe, Matthew Noblett