Part of the History of Art, Architecture, and Archaeology Commons

Works in History of Art, Architecture, and Archaeology

2024

Future-Proofing the Past: Artificial Intelligence in the Restoration of Andalusian Architectural Heritage: A Case Study of the Alhambra Palace, Granada, Spain, Kholoud Bader Hasan Ghaith
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Paulus Potter’s Punishment of a Hunter: A Study in Cultural Shifts, Moderation and Class, Taylor Brown
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Integrating art and AI: Evaluating the educational impact of AI tools in digital art history learning, James Hutson
Faculty Scholarship

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2023

Political Propaganda in the Reredos of Our Lady of Light, Owen Keith Medina Loftus
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Post-war Restitution in the Republic of Croatia: Awareness of the KOMZA and Reconciliation of Moveable Property Through Public Sculpture, Anita Govic
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Use of AI to Recreate and Repatriate Lost, Destroyed or Stolen Paintings: The 1785 Parisian Salon Case Study, Charles E. O'Brien, James Hutson, Trent Olsen, Jay Ratican
Faculty Scholarship

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SHŌJO, KAWAII, and YŌKAI Iconographies in Chiho Aoshima's Strawberry Fields and How They Relate to Contemporary Gender Dynamics in Japan, Neo Sim Yee
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The Artistic Narratives of Faith Ringgold: Depicting Race Relations and Social Justice in 1960s America, Nicole Hill
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Exploring the Effectiveness of Virtual Reality Role-Playing in Debating Repatriation of Artworks in Active Learning Art History Classes, James Hutson, Trent Olsen
Faculty Scholarship

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Reconsidering Fertility Imagery in the Murals of Teotihuacan, Grace T.O. Ray
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Addendum to AP Art History Curriculum: Impressionism and Its Female Painters, Julie Short
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The Implications of Venus in the Interwar Oeuvre of James Guy, Emily Cooper
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Finding the Circle in the Square: A Neoplatonic Interpretation of Kazimir Malevich’s Black Square, Matthew Madison Rowe
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A Critical Analysis of Jeffrey Gibson’s Because Once You Enter My House, It Becomes Our House, A Queer Counter-Monument, Ryan Pagett
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Curio-Stereo: A VR Application for the Viewing of Stereograph Cards, Paige Sandheinrich
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Monet in Bordighera, Valerio Volga
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The “Trans-Historical Community of Women” and the Paintings of Artemisia Gentileschi, Grace T. O. Ray
The Confluence

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The Influence of High Renaissance Art on the Mannerist Movement: Examining the Works of Rosso Fiorentino, Pontormo, and Bronzino, Jana Hallford, James Hutson
2023 Student Academic Showcase

What is Beauty?, Halim Oscar Marrujo, James Hutson
2023 Student Academic Showcase

Getting Dressed: Gender, Identity, and Expression, Laura Franz
2023 Student Academic Showcase

Reconstructing the Parisian Salon de 1785 in VR, Charles O'Brien
2023 Showcase

Virtual Reality and Gamification in Post-Secondary Education, Tiffani Barner
2023 Showcase

2022

The Impact of the Male Gaze: Femininity and Female Sexuality in Shunga Prints of the Edo Period, Meredith Keukelaar
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Creating a 1940s Costume: A Historical Investigation, Jennifer Mott
The Confluence

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Michelangelo Buonarroti and Homophobia in the Renaissance, Grace T. O. Ray
The Confluence

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World War II American Propaganda: The Art and Appeal Behind Women on the Domestic Front, Katherine Grace Noe
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Investigating Kandinsky's Inspiration from Michelangelo Buonarroti, Asal F. Morvari
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Southern African American Communities: The Portrait Photography of Florestine Perrault Collins and Richard Samuel Roberts, Stephanie M. Woody-Groshelle
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Norman Lewis & Philip Guston: From Modernist Margins to Postmodernism, Joette Deanna James
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Mythology in Art History: Course Curriculum, Marianna Martino
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The Control of Morality as Demonstrated Through Allegorical Symbolism in Late Medieval Tapestry and Morality Plays, Kelsey Cook
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A Proposal for a Survey of American Art History Course: An Intersectional Approach, Fernando Mejia
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Gamification of Education and Learning: Heuristic Elements, Player Types, and Learning Outcomes for Art History Games, James L. Hutson Jr.
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Art Curriculum Lesson Plan: Horace Pippin’s World War I Journal, Tracie Dana Sykes
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Cult of Propaganda: Monastic Dominance as Displayed in Canterbury Cathedral's Saintly Iconography, Jon Talvin Breazeale
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Cross-cultural Currents and Syncretism in Early Modern Opossum Iconography, Deniz Martinez
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A Non-Traditional Approach: Seventeenth-Century Dutch Women Artists and the Nocturnal Genre Scene Market, Jordan J. Harris
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Women’s Influence in Cerén’s Architecture: Weaving Patterns in Classic Maya Art, Nicole Rosalia Lazo
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The Heroic Parallels of Hercules and Lorenzo de Medici, Michael Putorti
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The Artists of the Walter Crane Fan: Gender and Performance in 1895, Caroline Haller
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Using Color to Identify Neotropical Parrots in Early Modern European Art: Recognizing Limitations and Avoiding Pitfalls Through Integration of Scientific and Artistic Knowledge, Deniz Martinez
The Confluence

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Framing Colonialism: An Analysis of Kent Monkman’s mistikôsiwak (Wooden Boat People), Jasen D. Evoy
The Confluence

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Finding the Meaning in Ceramic Patterns from a Chaco Canyon Burial, Michael Lucero
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Christianity in Insular Artwork from the Seventh to Tenth Centuries, Alexandria White
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Never a Complete Success, Never a Complete Failure: Thomas Hirschhorn’s Commemoration of Antonio Gramsci, Ryan March
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Virtual Reality and Art History: A Case Study of Digital Humanities and Immersive Learning Environments, James Hutson, Trent Olsen
Faculty Scholarship

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The Fountain Formula. Damien Hirst’s Use of Marcel Duchamp’s Readymade Controversy, Grayson Nader
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2021

The Physical and Digital History of the Ancient Egyptian 18th Dynasty Queen Nefertiti High Hat Bust, Gidgette Ulloa-Torres
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Select Heresies Issues Published from 1977-79: Situating the Individual in Late Second-wave Feminism, Audra Verona Lambert
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Neo-Pop in Brazil: When Pop Art Addressed Politics, Larissa Couto Rogoski,
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Bodies, Blood, and Fluids as Resistance in Feminist Art, Laura Alice Page
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2019

Le Accademie Bolognese e Romana: Reconsidering Center-Periphery Pedagogy, James Hutson
Faculty Scholarship

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1989

Apocalypse and Fortune - Digest, Lila M. Held
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1986

Virginia Woolf, I Understand, Nancy S. Follis
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1981

Culminating Project, Judy A. Crockett
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